Earl Kemp On Science Fiction
SPS: On paper, or in this digital age with sites like Wikipedia, "Earl Kemp" begins with science fiction. We hear the 'worked as a graphics artist' and then it's the fanzines, editing, etc.. How do you remember this transition?Earl: As moving into adulthood and into the real world. Being born again with a view into reality.
SPS: What was it about science fiction which made you so passionate about the genre?
Earl: Just got hooked completely. Still am. Can't escape it.
SPS: Don't play coy; tell me what it was that hooked you. I want to hear about 'the golden age' or 'new wave' from someone who experienced it then -- both in terms of stories and the community.
Earl: I'm not ready to rethink backward for more than half a century. Too much trouble. Too little reward.
SPS: Whatever it was that grabbed you, did so by the heart if not the throat because you've been so passionate about the genre... Surely it deserves an ode, if not a few lines of description, yes?
Earl: Of course it does. But it was mostly the people involved at the time. Vastly different than the people involved today. To begin with, they cared. They involved themselves with each other. There was no distinction between fans and pros. It was family.It hasn't been family now for...what...40 years. These days it's mostly media hype pushing for profits for total crap. But big profits and even bigger crap. Pros now are isolated from their fans, too aloof even to wipe their own asses. And most of them are in desperate need of talent, editors, and especially proofreaders....
SPS: Does any of what hooked you remain for you in the science fiction of today?
Earl: Good heavens NO. Pale shadow of its former self. For me, little or no adventure. People like Dean Koontz and Stephen King have totally destroyed both writing and sf. Crap abounds.
SPS: So they are the answer to Who Killed Science Fiction? I was taught it was Sputnik. lolEarl: No, that was strictly the failure of periodical distributors crashing under their own weight. Had nothing to do with Sputnik.
SPS: There is quite a resurgence in sf -- you must be aware of that with all the hands reaching for you. Are there writers/works today you are fond of or at least feel capture some of that whateveritwas which first hooked you?
Earl: Contemporary sf escapes me totally. At the same time I find myself doing far too much reading. I had to give that up as a professional editor because there was no time for me, just for work.
Now I'm rereading lots of old favorites and running the whole gamut of contemporary bestselling fiction. I find most of it to be very formulaic...following largely the formula we created for Greenleaf Classic, as strange as it seems. And with a heavy tilt toward female readers who just have to have a go at that incredibly handsome but somewhat naive hunk, hung like a donkey...who will be totally their's before the last chapter closes.SPS: What would it take for you to return to editing? Anthologies maybe? You've been writing your memoirs, online; any plans for a book -- a print book?
Earl: Always plans. Just waiting for the right person/thing/happening.
SPS: What would the right thing be? Would it have more to do with feeling part of a community, concern/caring for the work and the genre, or money?
Earl: None of these would be motivational except perhaps money. As prices go up, I have to buy/use less. Plus, at my age I'm much too cynical about my abilities to generate enough energy for any occupation. Only hedonistic motives could push me beyond current resting.
SPS: Do you think there is hope for such a sf community again? The Internet and blogging certainly can help with this, right? Or do you feel that ego/money/personality are still in the way preventing such a thing from happening again?
SPS: So you don't really see anything positive about the Internet -- offering individuals less expensive voices, & ease in connection? Maybe you just feel that way because it allows any ID hiding slob with an email address to contact you.
Earl: You're mistaken. I think the Internet is one of the best things that's come along in ages. I couldn't live without it. Especially the less expensive part, although where I live, with NO option except dial-up that costs too damned much, really makes me miss big city living with competition and facilities that work occasionally.
I don't like subterfuge of any sort. Even usernames are insulting.
SPS: Personally, I too dislike the dishonesty of usernames. I hide behind mine because of the implications for family. Talking with you makes me feel more than a bit ashamed. Not just your finger waggin' but the life you lived. You didn't buckle or run away; you faced things. But I've tired, already, of being the tallest nail. Like you, I too hum Freedom's just another word for nothing left to lose -- only I know that I still have something to lose and I'm not willing to pay that price.
Oh, I know I am on lists. Have been prior to W. My battles were smaller, more personal; yours were larger, more public. I hope someday to appear valiant in attempt if not victorious in action in my own history, a family legend; but you already are a legend.
This is part of The Collective Adoration Of Earl Kemp. Those who reach out to you want to rub the Buddha's belly, hoping some of that moxy will rub off. You don't describe yourself with much aggression and valor, but we see it.As for the other reasons to from an Earl Kemp Mutual Admiration Society, I think they all lead back to passion. Certainly there was a passion behind standing up for Big Beliefs -- 10 years of government stalking gave you plenty of time to reconsider the personal cost. But there also is a passion for writing, the sf genre and the community. No one can describe Earl Kemp as apathetic. Even while you mock & paint yourself as the tired man of so many years, here you are.
In an age of apathy, what's not to admire about Earl Kemp.
And no, dear editor, I am not missing a question mark.
Earl: Flattery will get you absolutely anything.
To be continued...
All photos from Earl Kemp & his zine; used with written permission. Cover of Sin Chained, via Vintage Sleaze's Greenleaf Catalog.
Labels: Authors, Beefcake, Books, Images, Political, Sex History



























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